Please join ADVOCARTSY for an Open House reception on Saturday, February 16th, 2019 from 12-5 pm to celebrate the LA Art Show Season in full bloom! We will be exhibiting work by artists including, Pouya Afshar, Afsoon, Ali Dadgar, Kaveh Irani, Aida Izadpanah, Shahram Karimi, Simin Keramati, Dana Nehdaran, Dariush Nehdaran, Mobina Nouri, Ardalan Payvar, Bahar Sabzevari, Hadi Salehi, Sepideh Salehi, Rebecca Setareh, Shilla Shakoori, Shadi Yousefian, and Farnaz Zabetian. This event is free and open to the public.
ADVOCARTSY is proud to collaborate with Moms Against Poverty (MAP) as its official community and fundraising partner for this event. This collaboration will bring about Northern California’s support of the Iranian art community as we fundraise for MAP’s important and inspiring mission. MAP is a 501(c)(3) nonprofit organization founded in 2008 by a group of individuals, who believe that, every child deserves a chance to thrive in this world regardless of where they are born. [www.momsagainstpoverty.org]. MAP is collaborating with Advocartsy to help build a bridge between art and charity, where art serves a charitable cause and charity supports Iranian artists.
Ten percent (10%) of net sales during this event will be donated to MAP.
ART BRIEF IV: IRANIAN CONTEMPORARY SAN FRANCISCO explores the diverse ways artists of Iranian background in diaspora create and define ‘Iranian Contemporary Art’. The works exhibited speak to the various artistic reactions and reflections to the realities of identity formation in diaspora, the pain and joy of exile, the call of nostalgia, and the fragmentation of the self.
Advocartsy is pleased to announce the list of participating artists for ART BRIEF IV:
Pouya Afshar is a multi-disciplinary artist and alumnus from the California Institute of Arts Character Animation department and is a graduate of University of California Los Angeles Graduate Department of Film and Television focusing in Animation and Digital Media. He has exhibited his work as an animator and visual artist throughout Los Angeles and United States at renowned locations such as Harold M. Williams Auditorium at the Getty Center, Bovard Auditorium at University of Southern California, Royce Hall at University of California Los Angeles, Los Angeles County Museum of Art, Santa Monica Art studios, 18th street Art Center, and numerous galleries and art fairs around the world. He is also the recipient of a Create Economy Grant in the state of Massachusetts. He is currently an assistant professor of art and Design at University of Massachusetts, Lowell. (Boston)
Afsoon works with her own collection of vintage images to create illustrious collages. Through a combination of techniques, Afsoon’s rich, and often playful, works reflect the merging of East and West, allowing the audience to find the familiar and foreign. Afsoon’s works have been extensively exhibited and can be found worldwide in prominent collections and museums, including the British Museum, Los Angeles County Museum and Berger/YSL Collection, among others. (London)
Samira Akbari has a bachelors degree in sculpture and MFA from Academy of Art in San Francisco University for an MFA Program. Her work often explores the experience of women and the human condition. (San Francisco)
Ali Dadgar is an experimental artist working across performance, image, text and object based media. Dadgar holds an MFA in Art Practice from UC Berkeley and a BFA from California College of Arts and Crafts. His work explores personal and shared experiences of alienation, loss and duality often in playful and varied forms of expression. (San Francisco/Bay Area)
Taraneh Hemami engages in diverse strategies including installation, object and media productions, collective and participatory projects as well as curation to explore themes of displacement, preservation, and representation. Her projects transform materials of history, archives of images and information into timelines, patterns and maps that draws connections between contradictory narratives. She received a Bachelors of Fine Arts in Painting & Drawing from the University of Oregon, Eugene (1982) and a Master of Fine Arts in Painting (Distinction) from the California College of the Arts, Oakland, California (1991). She lives in San Francisco, and exhibits, lectures, teaches and curates internationally. (San Francisco)
Kevah Irani works in painting, collage, sculpture, and sound installation. Creating dynamic, mixed media artworks, Kevah examines the concepts of identity, diaspora, and topophilia. Imbuing objects with significance of their origins, he brings disparate things together in ways that explore how they do and do not resonate with one another. Kaveh received his Bachelor Degree in Fine Arts from Emily Carr University and his Masters Degree from California College of the Arts. (San Francisco)
Aida Izadpanah possesses a diverse repertoire of media and styles, having worked for many years in acrylic, oil, mixed media, watercolor, photography, and porcelain. She specializes in European styles, ethnic Persian motifs, and modern designs, as well as dynamically textured abstract works. Her large scale abstract textured-field paintings are deeply associated with the passage of time and therefore, inevitably. (New York City)
Shahram Karimi’s paintings portray the dilemma of the contemporary bicultural Iranian who seeks his historical and personal identity by wedding his personal past with contemporary form. Each one of Karimi’s paintings relates a fragment of his memories and national history, each a piece of his personal past. Karimi exhibits his works internationally, and is a curator and art critic. (New York)
Simin Keramati is a multidisciplinary artist working with social-political themes presented through painting, drawing, video art and new media. She received her Master of Fine Arts from Tehran Art University and is the Winner of the Grand Prize from the Khaka International Biennial 2004. Her paintings often address themes of identity, diasporic experience, and social issues. (Toronto)
Dana Nehdaran studied painting in Iran and recently migrated to New York. Nehdaran’s portraits captivatingly capture the nostalgia and historical past, seamlessly connecting the past to contemporary culture. He uses abstraction to highlight the ways in which past and present weave together in both conflict and harmony. (New York City)
Dariush Nehdaran’s photography captures intimate moments suspended in time. He aims to turn spectators into participants, drawing them into contemporary Persian culture. His photographs and video works are available both in public and private collections worldwide including the Armando Reverón Contemporary Art Museum in Caracas-Venezuela 2018, the Los Angeles County Museum of Art (LACMA) in the US 2016, and the Salsali Private Museum in Dubai-UAE 2012. (San Francisco)
Ardalan Payvar draws inspiration from deconstructive typography and works to incorporate elements of its composition into his abstract, calligraphic works. Fragmenting traditional and contemporary type, Ardalan finds ways to balance and fuse them together without sabotaging the integrity of either realm, combining formal studies in Graphic Design, Fine Art, Persian Calligraphy and his artistic intuition. (Berkeley)
Bahar Sabzevari is an Iranian artist exploring identity through self-portraiture, narrative painting and video art. In her most recent series of self-portraits, she questions the Iranians’ tendency and obsession to praise the past. She received her MFA in painting at the New York Academy of Art in 2018 and she has been the recipient of the Central Academy of Fine Arts Residency in Beijing, China summer of 2017. (New York City)
Sepideh Salehi works in various mediums utilizes different processes ranging from painting, drawing to printmaking, photography, video art and animation. Her works revolve around the poetics of the veil as well as stories from her country of origin. Her work has been exhibited and showcased internationally. (Washington D.C. and New York City)
Hadi Salehi is a master of the art of analog photography. Salehi’s images capture diverse portraits that are nostalgic, powerful and soft, leaving a haunting quality that lingers in the psyche. He seeks to create a collective awareness and be a cultural messenger through his images. His career now spans almost 40 years and has closely photographed cultural innovators like Keith Haring. He is a graduate of Art Center College of Design, Pasadena. (Los Angeles)
Rebecca Setareh has garnered international attention for her Sculpture work, harmoniously integrating rock and bronze. Her work examines the experience, strength of the female experience in a creative process that represents the struggle of life itself. (Los Angeles)
Shilla Shakoori’s diverse artistic expression springs from an exploration of the synthesis between native and adopted cultures. Shakoori’s works are strongly influenced by Iranian philosophy and myth. Her work often reflects a meditative process of cutting, sewing and incorporating language and forms. (Los Angeles)
Kamran Taherimoghaddam is a multi-disciplinary artist whose work illustrates social and political stories. His paintings and videos have been exhibited in museums,
galleries and art fairs in Iran, Italy, France and USA. (Washington D.C. and New York City)
Taravat Talepasand’s interdisciplinary practices draw on realism to bring focus to an acceptable beauty, exploring its relationship with art history under the guise of traditional Persian painting.
Her interest is in painting the present, which is intrinsically linked to the past, making it easily understood by the Iranian and indicative of assumption for the Westerner. She is currently the Department Chair of Painting at the San Francisco Art Institute. Her work has been exhibited nationally and internationally and is in permanent collections of the De Young Museum; Los Angeles County Museum of Art, Los Angeles; Orange County Museum of Art, Orange County. Taravat was included in the 2018 Bay Area Now 8 at the Yerba Buena Center of the Arts and the recipient of the 2010 Diebenkorn Fellowship at the San Francisco Art Institute.
Shadi Yousefian’s mixed media work reflects and addresses issues that touch on universal themes such as loss, dislocation, alienation, and reinvention. She received both her Bachelor’s (2003) and Master’s (2006) of Fine Arts in photography from San Francisco State University. Shadi’s work engages personal and social issues of contemporary life, particularly, cultural identity and the immigrant experience. Her work has been exhibited internationally and is in the permanent collection of The Los Angeles County Museum of Art (LACMA).
Farnaz Zabetian paints manifestations of daily life, exploring the struggles of Eastern women as they are forced to navigate social taboos and ideals since birth. Her symbolic and expressive portraits of these women depict their private thoughts and yearnings, as well as their perceived relationship with the rapidly modernizing world. Her work has been exhibited internationally, including Sondouzi Art Museum of Tehran in 2008; the Saad Abad Museum of Tehran in 2009; and the Peninsula Museum of Art in Burlingame in 2017.
Avideh Zahedi’s sculptures translate two-dimensional drawing techniques into three-dimensional figures, working to extract information from the expressed emotion and movement of her subjects and use them to represent inward states of being. (San Francisco)
MAP’s mission is to nurture and educate underprivileged children to their fullest potential, so that, one day, they can contribute and lead within their own communities; thus breaking the cycle of poverty. MAP is dedicated to serving underprivileged children in Iran, the U.S and around the world. MAP has long strived to bring awareness to artists from Iran and other countries to the community while promoting its cause of serving children in need.
ADVOCARTSY is a collaborative visual arts platform with the mission elevate awareness and engagement amongst artists, collectors, and the fine art community, with focus on Iranian contemporary art.
ADVOCARTSY’s ART BRIEF series provide a concentrated opportunity to introduce artists of Iranian heritage to the Iranian community and the community at large. The first three ART BRIEF initiatives where held in Los Angeles. ADVOCARTSY is now extending its efforts to Northern California. The ART BRIEF series is designed to build community and to build bridges between communities, but also to demonstrate the breadth of expression and meaning characterizing the art of Iranian-American artists.
IAWF Panel Discussion: Role Overload: Growing Pains and Learned Lessons on Managing the Many Roles We Play as Iranian-American Women
The Iranian-American Women Foundation (IAWF)’s Los Angeles Chapter Rising Leaders invites you to a mixer and panel discussion about Role Overload: Growing Pains and Learned Lessons on the Many Roles we Play as Iranian-American Women.
Dr. Nelly Farnoody-Zahiri, Family Psychologist, Author, Speaker, Director, ICPL
Sonya Sepahban, CEO & Co-Founder, OurOffice, Inc.
Roshi Rahnama, Founder & Director, AdvocArtsy Art Gallery – Iranian Contemporary Art Platform and Gallery
Ghazal Tajmiri, Senior Associate, Blank Rome LLP
This event is taking place on Sunday, November 4, 2018, from 5 – 7pm at The Space by AdvocArtsy Art Gallery.
Current Exhibition: Debut and Art Collaboration with Interior Designer Ryan Saghian.
10% of proceeds from purchases made during the event will be donated to IAWF
This event is free and space is limited. Kindly RSVP by November 1.
The mission of the Iranian American Women Foundation is to provide a platform for empowerment and networking among Iranian-American Women and to provide mentorship to younger generations of Iranians locally and globally.
Since its inception in Orange County, CA in 2012 the organization has empowered, inspired and connected thousands of women nationwide and globally. It has served as a home away from home; a community that celebrates creative, innovative, tenacious, and competitive women who are problem solvers and a force for the greater good.
ADVOCARTSY is a collaborative visual arts platform with the mission elevate awareness and engagement amongst artists, collectors, and the fine art community, with focus on Iranian contemporary art.
THE SPACE by ADVOCARTSY is pleased to present En Masse, a mixed media installation by Massachusetts-based Iranian-American artist Pouya Afshar. This is Afshar’s first solo exhibition with ADVOCARTSY.
En Masse is composed of paintings, drawings, and animations that explore the process of mourning on a personal, communal, and historical level. Afshar utilizes Persian and Muslim Shiite mourning rituals known as Ta’zie as a mode of contemplation. In Persian culture, Ta’zie is a centuries-old passion play inspired by historical and religious events that symbolize epic spirit and resistance.
En Masse was inspired by the death of Afshar’s mentor. Afshar’s search for internal peace led to an understanding of how individuals find catharsis as a group, whether as performers on stage or as audience members. Growing up in Iran, Afshar’s work is also informed by his exposure of Ta’zie plays. He materializes these emotions and traditions through paintings and drawings that he transforms into animation and video projections depicting his memories and dreams.
The notion of recollection is also explored in this exhibition through mounted layers of video projections that symbolize particles within one’s imagination. In one animation, a galloping horse—a key element of Ta’zie—is accompanied by a mash up soundtrack of Iranian percussion and a recording of the Catholic prayer Ave Maria.
“With this project, I aim to create dialogue on how one can recover from a loved one’s death and why community creates a platform to do so through art,” explains Afshar.
En Masse’s process of creation is as important to Afshar as the final product, which continues to evolve. The project has been his own grieving process and has pushed him, both as an artist and, more importantly, as a human being. “It has forced me to climb out of a protective shell and into a vulnerable atmosphere devoid of artistic ego,” says Afshar. “En Masse is a memorial service for whomever we miss. A reminder for us to embrace life’s inherited experiences and, if necessary, leave them behind.”
“Afshar’s work examines socio-political paradigms of Iranian culture through various media in order to offer an opportunity for cross-cultural understanding, while weaving his personal experiences with universal understandings of compassion and empathy,” says ADVOCARTSY founder Roshi Rahmana. “ADVOCARTSY is proud to represent Pouya in the United States.”
Afshar will be included in In the Fields of Empty Days: The Intersection of Past and Present in Iranian Art, presented by LACMA opening May 6, 2018.
ABOUT THE ARTIST
Pouya Afshar is an alumnus from the California Institute of Arts Character Animation department and is a graduate of the University of California Los Angeles Graduate Department of Film and Television focusing in Animation and Digital Media. He has exhibited his work throughout the United States and Middle East, including: Harold M. Williams Auditorium at the Getty Center, Bovard Auditorium at University of Southern California, Royce Hall at University of California Los Angeles, Los Angeles County Museum of Art, Santa Monica Art studios, 18th street Art Center, and numerous galleries and art fairs around the world. Pouya has presented his research at Stanford University, Harvard University, University of Southern California, School of Museum of Fine Arts Boston, and Residency Unlimited NY. Pouya is the creator, character designer and producer of the animated series Rostam in Wonderland and the co-creator of 1PA2PA comics. He is currently an assistant professor of art and Design at University of Massachusetts, Lowell.
Exhibition dates: January 14–28, 2018
Public opening: Sunday, January 14, 2018, 4–7 p.m.
Closing reception: Sunday, January 28, 2018 4–7 p.m.
Hours: Tuesday–Saturday, 11 a.m.– 5 p.m.
Address: 9th and San Pedro Building, 924 S. San Pedro St., Los Angeles, 90015
Today’s in-demand contemporary Iranian artists—many of whom have now settled abroad—are working in a range of media, reflecting on issues such as identity, exile, and their multifaceted cultural heritage. For the first time, artnet Auctions will be focusing on these important artists and is proud to partner with ADVOCARTSY and guest curator Roshi Rahnama for The Poetics of Diaspora: Iranian Contemporary Art, a curated sale live for bidding on artnet Auctions from November 9–21.
To celebrate this partnership, artnet and ADVOCARTSY cordially invite you to an exclusive opening reception at THE SPACE in Downtown Los Angeles on Sunday, November 12. The event will feature an exhibition of highlights which will be on view for the duration of the sale, along with custom cocktails and the opportunity to learn more about, or place bids, on these vibrant works.
Please join us on Sunday, October, 22, 2017 from 4-7 PM for
SHADI YOUSEFIAN’s Solo Exhibition Closing reception
at 924 S San Pedro St, Los Angeles, CA, 90015
At 5pm Leah Mirahkor will lead a gallery walk through entitled Aesthetics of Longing.
Leah Mirakhor teaches at Yale University and received her Ph.D. from the University of Wisconsin-Madison. Mirakhor’s works on 20th and 21st century American and diasporic literature and culture has been published in The Los Angeles Times, The Los Angeles Review of Books, Studies in American Jewish Literature and African American Review.
Joining Downtown Los Angeles’ burgeoning art scene is the new contemporary art and project venue, THE SPACE by ADVOCARTSY.
The new art space is a permanent extension of ADVOCARTSY’s Art Brief exhibition series launched in 2015, a contemporary fine arts platform that aims to raise awareness of and engagement with Iranian contemporary art. ADVOCARTSY will use THE SPACE to host diverse fine art events, educational programs and exhibitions, with a wide range of collaborations, both nationally and internationally as a nexus for artists, critics, curators, and collectors.
The 1,800-square-foot-space is ideally situated in the heart of Downtown LA’s Fashion District, minutes from the rapidly expanding arts district and LA’s newest museum, the Institute of Contemporary Art, Los Angeles.
The venue was born out of necessity. “I needed a physical location to sustain the energy from the Art Brief series and to continue the engagement between Iranian contemporary art and the art community,” says ADVOCARTSY founder, Roshi Rahnama.
THE SPACE’s inaugural exhibition features the work of artist Shadi Yousefian. “I chose Shadi for the opening exhibition because of her expansive body of work directly dealing with cultural identity and the immigrant experience,” says Rahnama. “Her intimate combination of personal experience with social and political issues results in a skillfully confrontational energy while utilizing minimalism, photography, and collage as a way to mediate that encounter.”
Born in Tehran, Yousefian moved to the U.S. as a teenager. “My work has always been informed by a duality that I’ve experienced as an immigrant living in the United States,” says Yousefian. “I feel like I’m being pushed into the realm of ‘the Other’ despite the fact that I’m a citizen and I feel like my work becomes more universal and less personal, speaking for several communities and not just Iranian-Americans.”
The exhibition spans 15 years, going from her early photographic work to mixed media constructions, and includes new work being exhibited for the first time. In the show will be Yousefian’s Universal Identity Series (2006). She photographed nude portraits of a diverse array of people, cut and distorted the negatives and reassembled them, printing the composite portraits lifesize on canvas. The result is an examination of the fluidity of identity—and how it is colored by the viewer’s perspective and assumptions.
In her series Letters (2006–2017)Yousefian uses decades-old letters from friends and family in Iran. Handwritten in a pre-Internet world, the letters have been transformed from a personal archive under the artist’s bed to a distillation of feelings and specific times. By cutting the letters up and mounting them on wood, she at once destroys and preserves the documents, and gives viewers an intimate look into the immigrant experience.
What emerges is a perpetually fragmented identity of the outsider, conjured through the depiction of nostalgic tales of loss, sadness, and redemption.
Future events at THE SPACE include a solo exhibition of Sepideh Salehi’s photography, abstract works and video in December and a solo exhibition of Pouya Afshar’s installations and moving imagery in January.
ADVOCARTSY is a collaborative fine arts platform that addresses and engages with Iranian
Contemporary Arts both nationally and internationally. Roshi Rahnama is the founder, principal and
director of ADVOCARTSY. THE SPACE by ADVOCARTSY produces diverse art events, projects
and exhibitions with artists, curators and galleries to further awareness and community engagement.
“Collecting Modern and Contemporary Middle East Art” was organized through the efforts of Art of the Middle East: Contemporary, LACMA, ADVOCARTSY, and Sotheby’s.
Thank you to our exceptional panelists who by their time, effort, presence and expertise made this panel discussion possible. We also thank our dear friends, who with their interest in this program, and attendance supported our efforts.
We are thrilled to share with you a recorded session of the panel and images below.